The new, fancy collection of the Rosenthal studio-line reflects the archetypical vases for the Ming Dynasty, freezes against in the digital acceleration.
A mix of collective memories and futuristic abstraction symbolises the cultural change, released by the technique: The speediness of information processing, its behaviour and its defection.
This is demonstrated by the metaphoric ornament of the vase, while on the other side, sculptured by high technology tools, 500 years of human manufacturing.
A fascinating interpretation of the corporate changes of our time and another outstanding design object of the Rosenthal studio-line, designed by designer Cédric Ragot. In 2007 Fast was consequent awarded with the famous Good Design Prize of the Chicago Athenaeums.
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