Manufacturer banner - Oluce - 16:6


Established in 1945 by the master Giuseppe Ostuni, Oluce is the oldest Italian lighting design company that is still active today.


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Established in 1945 by the master Giuseppe Ostuni, Oluce is the oldest Italian lighting design company that is still active today.

In fact, before the war there existed only Gino Sarfatti's Arteluce, which disappeared in the late '90s, while 1948 saw the birth of Azucena and Lamperti, followed by Arredoluce and Stilnovo in 1950. Many years it was chiefly Arteluce, Azucena and Oluce that dominated the Italian scene, creating a hub for the designers - strongly engaged first in the reconstruction and later in the birth of serial production - who animated the Milanese forum: Vittoriano Viganò and BBPR, Gigi Caccia Dominioni and Ignazio Gardella, Marco Zanuso and Joe Colombo

As early as 1951, Oluce registered a success at the IX Triennale, in the lighting section directed by Achille, Livio and Pier Giacomo Castiglioni, with an indirect incandescent bulb designed by Franco Buzzi. In the following years there was the ground-breaking ''Agnoli'' model (255/387), a spot light supported on a slender stem, which in 1954 marked the decline of lampshades and the rise of highly simplified floor lamps, even for domestic lighting.

In addition to Agnoli, Ostuni's collaborators included: Forti, the forgotten advocate of a new living style for the Milanese high middle class, as well as Arnaboldi, Monti and Minale. But it was only at the end of the decade, thanks to the encounter with Joe and Gianni Colombo, that Oluce took a more pronounced revolutionary slant. The Colombo brothers (subsequently only Joe pursued his incisive sorties into the world of objects, while Gianni devoted himself to the fine arts) were seeking a receptive environment for their audacious designs: this was Oluce.

First there was the ''Acrilica'' table lamp (mod. 281), included in the Oluce catalogue as of 1962: a very thick Perspex curve through which the light appears to climb, exemplifying both a possible meeting point between art and design, as well as an elegant use of new materials. A gold medal winner at the XIII Triennale, where Joe Colombo also won two silver medals (for the ''Combi-Center'' and the ''Mini-Kitchen''), the ''Acrilica'' consolidated Joe Colombo as one of the great designers of the day.

In the following years Colombo had already moved on, creating his ''Coupé'', a curved stem of considerable size supporting an elegant semi-cylindrical shade, now exhibited at the MoMa in New York.

In 1972, one year after the premature death of Joe Colombo, and was therefore named ''Colombo'' in his honour. The first indoor halogen light to appear on the market, it became an unsurpassed icon of a design that is both functional and contemporary.


After Colombo’s death a new part of Oluces history occurred. This is because Giuseppe Ostuni gave the firm to the Verderi family. Because of that a new and important era begun at Oluce, coinciding with the transfer of ownership from Ostuni to the Verderi family, and dominated by one of the great masters of Italian design: Vico Magistretti. For many years, Magistretti was art director and chief designer of the company, conferring his unmistakable stamp and a legacy of worldwide recognition. Kuta, Lester, Nara, Idomeneo, Pascal, Dim, Sonora, Snow, and especially Atollo - all became names that instantly called to mind the corresponding product. Atollo even became a sort of template, a graphic silhouette that immediately rendered the concept of a ''lamp''.

In 1995 Oluce took a different tack under the art direction of Marco Romanelli, which bolstered its international success and the collection's critical acclaim. The new formula put the focus on expressing highly diverse personal languages and in particular those of leading contemporary designers, such as the Englishman Sebastian Bergne, the Swiss Hans Peter Weidmann, and the Italians Laudani&Romanelli.

Website of Oluce